The West Virginia Gazette

Saturday, Aug 17, 2002

Bluegrass music right at home in W.Va.

By Rusty Marks
STAFF WRITER

If you're going to come down from the mountain, the Mountain State is probably the place to do it.

More than 6,000 people turned out Friday for the Down From the Mountain Tour at Charleston's Civic Center. The 3 1/2-hour concert featured traditional and old-time music culled from the Grammy-winning soundtrack for the Coen Brothers film "O Brother, Where Art Thou?" performed by the likes of Dr. Ralph Stanley, Emmylou Harris, The Whites and Allison Krauss.

The "Brother" soundtrack became one of the most popular albums of 2000, despite the fact that the disc received no mainstream radio airplay.

Critics credit the soundtrack with reviving the nation's interest in old-time music.

That interest never died in West Virginia, where traditional and old-time music are as culturally ingrained as the unforgiving hills. That fact was acknowledged by Kentucky native Ricky Skaggs, who received the night's first standing ovation.

"Oh, I'm in bluegrass country," Skaggs exclaimed as the crowd exploded into applause, "I forgot.

"I didn't forget," he winked a moment later, before launching into one of his signature, supercharged bluegrass steamrollers.

The evening's most emotional moment may have come from Patty Loveless, who lost her father to black lung disease. Her mournful refrain, "You'll never leave Harlan alive," seemed to come from the heart.

Other highlights of the show included Emmylou Harris' touching reading of "The Green Rolling Hills of West Virginia," and any of a number of appearances by Allison Krauss & Union Station. Krauss' recordings simply cannot do justice to the singer's amazing dynamic range, and only hint at her prowess on fiddle.

Bluegrass legend Dr. Ralph Stanley, whose song "O Death" won a Grammy in its own right, received the night's second standing ovation, and before he sang a single note. Stanley sang his Grammy-winning song a cappella and gave a spirited rendition of "Pretty Polly" with help from Loveless before reprising "Man of Constant Sorrow," the film's signature tune. Stanley then called the entire entourage on stage and led the audience in several verses of "Amazing Grace" as an encore.

West Virginians grew up listening to enough gospel music to know what to do with it.